We’re in the midst of watching The Nazis: A Warning from History, which really should be required viewing for anyone who casually throws around Hitler analogies when discussing contemporary politicians. It’s chilling stuff through-and-through, loaded with interviews with unrepentant party members and victims of persecution alike. The series essentially argues that the Third Reich was enabled by the pettiness of workaday Germans, who took advantage of the Nazis’ obsession with policing-by-proxy to settle personal scores. In one scene we caught last night, for example, an interviewer confronts an elderly lady with damning evidence that she informed on an eccentric neighbor—a neighbor who was soon thereafter sent to perish in a concentration camp. The guilty lady just smiles and denies the whole thing, then tries to change the subject to the weather. Few documentary scenes of recent vintage have left us so ashamed of our speceis’ propensity for cowardice.
Oddly, the show has also given us a yen to read Mein Kampf, though only to gain some insight into how so obvious a megalomaniacal charlatan could have dragged the entire planet to the edge of the abyss. We obviously have mixed feelings about our desire, though, as we’d never want anyone to confuse our genuine intellectual curiosity with an endorsement of evil. If we do take the plunge, for example, we certainly won’t read the book on the 2 train, lest we suffer a beatdown between 96th and 125th Streets. (We somehow don’t think our intellectual-curiosity argument will fly on the subway.)
But in doing a little digging about the current Mein Kampf publication landscape, we were surprised to learn that the book’s a hit in Japan—albeit in manga form. This really surprised us, as we know that the Bavarian government, which currently holds the copyright on the infamous tome, has aggressively gone after foreign publishers of the work. But as it turns out, there’s a weird little loophole in the law that makes the Japanese edition copacetic:
The Finance Ministry of the state of Bavaria, which holds the copyright to the book, has refused to grant permission to reprint it out of sensitivity to victims of Nazi atrocities. The ministry lodged a strong protest when a Czech-language edition was published without permission in 2000.
Under the Berne Convention for the Protection of Literary and Artistic Works, however, Japanese publishers are entitled to publish a translation of a foreign-language book released in 1970 or earlier as long as no other translation was published within the first 10 years of release.
The manga version, known in Japanese as Waga Toso, has sold 45,000 copies in six months. We do wonder who the primary audience is—people who wish to gain a better understanding of evil so that history will not repeat, or quasi-Fascist flunkies. We sure hope it’s the former.
Jordan // Oct 13, 2009 at 1:32 pm
Back in the late 90s, PBS ran a wonderful series of documentaries called “The People’s Century”. In the piece about sports, they interviewed a member of the British delegation to the 1936 Berlin games. He described the closing ceremony, during which the entire arena began saluting in unison. The man being interviewed said that he had to physically restrain his arm to keep from joining in because the display was so hypnotic. That has stayed with me more than just about any other description of the effectiveness of the Nazi propaganda machine.
Also, I would guess that there are more people in Japan who would have a fondness for the old militarized government in general than the Axis-allied government specifically. It’s going to be an interesting couple of decades to see if the Japaanese experiment in pacifism lasts. Compared to their overall history, the current lack of a real military on the island is a pretty significant abberation.
Brendan I. Koerner // Oct 13, 2009 at 2:17 pm
Yeah, it’s tough not to be awed by the Nazis’ knack for spectacle. Watching “A Warning from History” has actually made me want to check out some Leni Riefenstahl flicks, to get a better sense of how the party bent aesthetics to dark ends.
Actually, if memory serves, Jodie Foster’s spent years trying to make a Leni Riefenstahl biopic. I can see how that might be a tough sell, given the, uh, moral complexity of the central character. But then again, moral complexity is usually what makes characters interesting…
scottstev // Oct 13, 2009 at 3:36 pm
I’m not sure if it was in Hannah Arendt or another place when I was on a totalitarian kick. But I remember reading about the elaborate uniforms minor Nazi functionaries were given. There was this one, with top-coat, epaulets and all sorts of gewgaws described as something like “Minerals miner -3rd class formal uniform.”
There’s something in human nature that causes us to obey when presented with the proper signifiers of power and order.
Brendan I. Koerner // Oct 13, 2009 at 6:13 pm
@scottstev: Yet another illustration of your astute point:
http://tinypic.com/view.php?pic=opquqr&s=3
minderbender // Oct 17, 2009 at 1:47 am
Mein Kampf (and Hitler stuff in general) is big in India. There was a kerfluffle a while ago about a Nazi-theme bar or restaurant or something… scary, I think, given Hindutva thuggism and history of flirtation with fascism (Subhas Chandra Bose).